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・ Rock Rapids, Iowa
・ Rock Musical Bleach
・ Rock Musique Deluxe
・ Rock My Baby
・ Rock My Heart
・ Rock My Life
・ Rock My Life (song)
・ Rock my world
・ Rock My World (album)
・ Rock My World (Five Star song)
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・ Rock n Roll (Avril Lavigne song)
Rock n Roll (Ryan Adams album)
・ Rock n Roll Alibis
・ Rock N Roll Experience Magazine
・ Rock n Roll Jesus
・ Rock n Roll Jesus (song)
・ Rock n Roll Junkie
・ Rock N Roll McDonald's
・ Rock N Roll Nigger
・ Rock n Roll Soldiers
・ Rock n Roll Worship Circus
・ Rock n' Bolt
・ Rock n' Bowl
・ Rock n' Oz
・ Rock N' Road
・ Rock n' Roll as It Should Be


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Rock n Roll (Ryan Adams album) : ウィキペディア英語版
Rock n Roll (Ryan Adams album)

''Rock n Roll'' is the fourth studio album by Ryan Adams, released on November 4, 2003. The album features the hit single "So Alive," and includes guest appearances by Adams's then girlfriend, actress Parker Posey, former Hole and Smashing Pumpkins bass player Melissa Auf der Maur, and Green Day's Billie Joe Armstrong. Adams describes the album as "the most rock thing I have ever done," and notes that in spite of the album's mixed reception, recording it was "fun as fuck."
The album was recorded in two weeks, in response to Lost Highway's refusal to release ''Love is Hell''. The ensuing standoff was resolved "by being very diplomatic," according to Adams. ''Rock n Roll'' became the primary product, while ''Love is Hell'' was released quietly as two separate EPs, and eventually combined into a single release.
The album was recorded at Stratosphere Sound, guitarist James Iha's studio in Chelsea, Manhattan, New York.
==Reception==
The album so far has a score of 66 out of 100 from Metacritic based on "generally favorable reviews".〔 ''The Austin Chronicle'' gave it a score of four stars out of five and said, "The ''Love Is Hell'' discs are far more dense and dark, making the songs a fun challenge to crack open, though it isn't difficult to determine what a no-brainer it must have been for Lost Highway to favor the brilliant ''Roll'' over the more spotty ''Hell'' discs."〔(The Austin Chronicle review )〕 ''Spin'' gave it a score of seven out of ten and said, "Everywhere the guitars are cranked, the sneakers set on stun."〔(Spin review )〕 ''Alternative Press'' gave it a score of three-and-a-half stars out of five and said, "The jarring stylistic shifts sometimes make listening to RNR feel more like scanning the radio dial than listening to a CD."〔 In his Consumer Guide, Robert Christgau gave the album a one-star honorable mention () while picking out two songs from the album ("Note to Self: Don't Die" and "This Is It"), and quipped about Adams: "Sound effects, emotional affects, he's got 'em all."〔(Robert Christgau Consumer Guide )〕
Some reviews are average, mixed or negative: Yahoo! Music UK gave it a score of six stars out of ten and said, "Adams can undoubtedly pen this classic rawk stuff with his ears closed and, as a result, the 15 tracks here lack heart." ''No Ripcord'' also gave it a score of six stars out of ten and said, "No matter how cliched and predictable this record gets, there are always some undeniable hooks to lure you back in before your patience wears thin."〔(No Ripcord review )〕 Playlouder gave it a score of three stars out of five and said, "There are tunes galore, and ideas that some groups would do someone in for, it’s just a shame he decided to do an approximation of all his favourite bands, and didn’t try something a bit more progressive than 'Rock‘n’Roll'." ''Chicago Tribune'' gave it a mixed review and said that "Adams devotes himself almost entirely to his rock impulses. The problem is that his writing and vocals aren't as consistently distinctive or convincing in the rock arena. He aims for the intensity of Kurt Cobain and Paul Westerberg on some tracks and croons like Jon Bon Jovi on another. It's not until the melancholy "Wish You Were Here" that Adams slows the tempo and delivers the intimacy that characterized his earlier solo work, most of which was four-star quality."〔(Chicago Tribune review )〕 ''The Guardian'' gave it a score of two stars out of five and said that "Adams is too busy winking, smirking and showing off to convey anything approaching an emotion."〔(The Guardian review )〕 Drowned in Sound gave the album a score of three out of ten and called it "the worst record Ryan Adams has ever put his name to; a mess of identikit garage buffoonery and amateurish production, filled with rushed lyrics and written-in-a-weekend tunes."〔(Drowned in Sound review )〕

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